Online 28 05 2026
Calenda announcement 1 401 569 (extracts)
Bringing together researchers and programmers, restorers and practitioners, these study days aim to examine the back-and-forth between film and digital. While digital technology is now a necessity for studying and widely distributing heritage films via platforms and in places where equipment is no longer available, digitization is far from being a transparent operation: stabilization, (im)perceptible color changes, textural modifications, among others. Similarly, the return to film of a native or restored digital file raises questions: what is preserved of the original image, its history and the projection experience?
